As an assistant scenic painter for the CalArts spring production of the water station, I was in charge of creating paint and texture samples for the scenic designer's approval before paint application. I was also tasked with creating samples for the fabrication of faux rubble constructed out of eps foam. In the end, there were over 1000 pieces of rubble created for this production
"In this composition, silence breathes as living human time, not as form."
Actors interacting with foam rubble
Finished set with treated floor and faux rubble
Treated floor.
Color palette for rubble.
Rubble as seen on set.
Floor sample for theatre floor.
